I work on medieval and Renaissance philosophy, with a particular focus on Dante, Nicholas of Cusa, philosophical theology, and the ethics of interpretation. My research brings together questions about the nature of the soul, the relationship between poetry and metaphysics, and the limits of philosophical knowledge—especially where religious, ethical, and literary concerns intersect.

Much of my current work develops a framework I call poietic realism, which explores how truth emerges not from foundational certainty but from attunement to patterns across incommensurable systems. This project cuts across historical scholarship and constructive philosophical inquiry, drawing on figures from the Peripatetic tradition, Christian Platonism, and global medieval thought.

I am also working on a book about faith in Dante’s Divine Comedy, focusing on how the book challenges readers to cultivate practices of hermeneutic charity.